Wednesday, June 21, 2017

Insomnia vs. "Yeomen of the Guard"

When I get insomnia, usually triggered by doubts and worries in real life, my creativity takes weird turns, both in the dreams and visions that come at night and the ideas I get during the day.   Lots of remedies, such as the ones here, https://greatist.com/health/cant-sleep-advice-and-tips are helpful.   I've only recently started using #25, journaling worries when the mind is too anxious and active to rest, adding items to my to-do list and calendars and notebooks, and giving the things that are running around in my head a time to be addressed.

Here's an example from early June when I was uncertain about how much more work I'd have to do to memorize and play Fairfax, my part in Marylhurst University's production of Gilbert and Sullivan's "Yeoman of the Guard".   The memorization techniques that worked perfectly for me 30 years ago left me blank and going up on my lines in rehearsal, so I had no idea how much more work I'd need to do to catch up.   Yikes.  Most of my sleep-deprived dreams were about the lines and scenes of the play, but many of them were about the characters actions after the play.   Here they are, organized as a fan-fiction narrative. I make no apologies for continuity or dramatic errors, since this is, essentially, a delirium.


SPOILER ALERT:  see the opera, read the script or a synopsis first.   I'm told by attendees that they found the opera's end too tragic, so here's a small consolation:

Yeoman of the Guard, Act III


Precis:

To free his children from a detestable marriage and life-long anonymity, Sergeant Meryll confesses to releasing Fairfax two months earlier.  He and Leonard are sentenced to beheading in half an hour.  Dame Carruthers-Meryll, newly wed to the Sergeant,  leaves to arrange their rescue.  

Wilfred reveals a living but apathetic Jack Point.   Phoebe jilts Wilfred.  Jack refuses to teach Wilfred jesting.  Kate,  having no sense of smell and respect for Wilfred's care of injured prisoners, mollifies Wilfred and cleans him up nicely.

Phoebe, with Jack's help, stalls the beheading until Dame Carruthers-Merryl appears with proof that Sergeant and Leonard Meryll are innocent of treason.  They are restored to their due positions to everyone's joy.

Numbers:

3.1   Trio "A Fate Worse Than Death",  Phoebe, Leonard, Meryll
3.2   Aria:  "My Own Name", Leonard
3.3   Ensemble: "Hail the Wedded"  
3.4   Aria:   "Not today",  Dame Carruthers-Meryll
3.5  Aria:  "Dear Jack", Kate
3.6  Duet:  "'Every Dirty Job", Kate and Wilfred
3.7  Song:  "Alas, my love",   Jack
3.8  Chorus:   "The Pris'ner's come"
3.9  Duet with Chorus:  "Brave Men of England",  Meryll, Leonard 
3.10  Duet with Chorus:   "Alas My Love", (reprise)  Phoebe and  Jack
3.11  Scene:  "These two scrolls"  Dame, Lieutenant, and Ensemble
3.12  Ensemble:   "Joy Unalloyed"


Synopsis, Act III

Two months after Act II, on the Tower of London green, Phoebe, Leonard and their father, Sergeant Meryll lament "A Fate Worse Than Death": to keep their secret, Leonard may not claim his own name or position, Phoebe must marry a man she loathes, and the Sergeant is to be wedded this hour to the old Dame Carruthers.

Kate gives the Sergeant an envelope addressed to Sergent Meryll's son, Leonard and fetches Sergent Meryll and Phoebe to the wedding.  Leonard, not invited to the wedding, finds a letter inside to Jack Point and another to himself from Colonel Fairfax granting him a thousand marks and an offer of employment.  Leonard still wants "My Own Name" and the Yeomancy he'd earned.

Sergeant Meryll returns with Dame in wedding gown.   Leonard congratulates them while the Dame reminds him to keep his true identity the secret, since everyone has concluded the real Leonard Meryll ran away with a broken heart when Fairfax claimed Elsie as his bride.   Phoebe returns, pursued by and fending off Wilfred, to warn Leonard and the couple that their guests are coming and eager to congratulate them.  Phoebe insists that Jack is dead, but Wilfred says he is not:  he cared for Jack after the collapse, using the healing skills an assistant tormentor must ply.  Wilfred exits to fetch Jack as proof. 

The Lieutenant, Kate and crowd enter to "Hail the Wedded"  Sergent and Dame.  The Sergeant, desperate to resolve his children's sorry fates, turns to the Lieutenant and resigns his post as Sergent and confesses to freeing Colonel Fairfax himself two months ago.  Sergent Meryll claims that Leonard simply stayed away as asked, while Pheobe accepted his word that Fairfax was her brother Leonard.   Leonard steps up to confess that he himself knew of his Father's deception and is equally guilty. Phoebe lets them.  Dame Carruthers-Meryll berates her new husband for this foolish act of sacrifice, but the man is adamant he will have no more deception.

The Lieutenant reluctantly condemns the two men of high treason and the required penalty of death by beheading in one-half hour.  After warning the Yeomen and crowd that aiding their beloved Sergent will bring further deaths, he disperses the crowd and Yeomen, and himself escorts the two men to the tower for their final confessions.

Dame Carruthers-Meryll entreats Phoebe to delay the beheading because she has a plan to free both men, but it will take every minute available and more to prepare it.  The Dame proclaims she will not become a widow,  "Not Today" on her wedding day,  and heads off on her mission.

Wilfred brings a listless, sour shell of the jester Jack Point.  Kate reveals she put a note about Wilfred tending Master Point into Dame Carruthers' bill to the Fairfax family for the cost of their wedding.  Jack has no interest in anything, but allows Kate to read the letter from Elsie aloud. In "Dear Jack", Elsie thanks Jack for caring for her mother, teaching her manners, and prays for Jack's future well-being. 

Phoebe tells Wilfred she needn't marry him, since her father's confession exonerated her.  Wilfred reminds her that he knows of her actual guilt, but Phoebe rants that she will not we wedded, but would rather be beheaded or banished instead, even with Jack: since they don't love each other and both know what lost love it, they're perfect for each other.  Jack then tells Wilfred he cannot now teach jesting, it's not in him to teach the jailer to jest. 

Angered at the loss of a tutor and a wife, Wilfred declares he'll be a great tormentor and accosts Kate, who accepts his advances willingly.  After all,  Kate says, she admires his gentle care for the wounded prisoners. Further, she has no sense of smell and Wilfred isn't half as dirty as the chamber pots and "Every Dirty Job" that needs doing.  They exit to give Wilfred what he needs most: a bath.

Phoebe asks Jack for help in stalling the beheading.  Jack says he's no good for jesting, only composing melancholy rhymes and melodies, and sings a verse of his newly made "Alas My Love", but quips some nobleman will likely steal it away, too. ("Greensleeves" was anonymously written about 1510 and dubiously attributed to Henry VIII.) 

The funeral bell chimes.  While the people chant "the Pris'ners come", the block and headsman arrive.  The Lieutenant with Yeomen lead in Leonard and Meryll.    Asked for last words, Meryll at the block praises "Brave Men of England", joined by Leonard, then the Lieutenant,  the Yeoman and finally the crowd.

To stall, Phoebe speaks of their love of family and love of duty, then begins to sing "Alas, My Love", but falters. Jack completes Phoebe's chorus and carries on, improvising verses.  As the listeners join in and Jack is starting yet another verse, the Dame returns.

The Dame shows the Lieutenant "These Two Scrolls": the June tenth order for Fairfax's execution on July tenth, 1517, and the July tenth order for his immediate freedom.  The Lieutenant agrees that he'd gladly have complied had the second reached him that day.   The Dame argues that since the Sergent was following legal orders when he freed Fairfax on July the tenth, her husband and step-son are innocent of treason.  The Lieutenant agrees, cancels the execution, restores Meryll's rank and freedom, and orders that the real Leonard Meryll be inducted into the Yeoman of the Guard this very minute.

As all share "Joy Unalloyed", the block and the ax-man leave, Phoebe thanks and embraces Jack for his life-saving performance, and Kate escorts in a surprisingly clean Wilfred, with flowers in his hair and beard.   Leonard, now dressed as a Yeoman, receives his halberd and sword from his father, then thanks the Dame for saving his life.  Sergent Meryll finally, admiringly, embraces his new wife .

End.  



Friday, November 25, 2016

Timberliners Yuletide 2016

The Rose City Timberliners  Chorus does sixteen performances this December.   The guys wear a colorful collection of winter sweaters, vests, scarves, red hats, and even antlers as they travel all over the Greater Portland area with half-hour and hour concerts of Yuletide favorites. 

Winter 2014 Timberliners


Hear them in a lovely public setting 7 pm SUNDAY, DECEMBER 18 at


Teh Grotto Festival of Lights


It's not too late to invite this group to your event.  Merry Christmas!


Sunday, May 22, 2016

My Favorite Things

Julie Andrews' song "My Favorite Things" 




got a cute parody that was attributed to her in 2005, but had nothing to do with her.  Now that I and many of my fellow choristers are aging, it relates.  Maybe we should start singing thus:
 
Maalox and nose drops and needles for knitting,
Walkers and handrails and new dental fittings,
Bundles of magazines tied up in string,
These are a few of my favourite things.

Cadillac's and cataracts, and hearing aids and glasses,
Polident and Fixodent and false teeth in glasses,
Pacemakers, golf carts and porches with swings,
These are a few of my favourite things..

When the pipes leak, When the bones creak,
When the knees go bad,
I simply remember my favourite things,
And then I don't feel so bad.

Hot tea and crumpets and corn pads for bunions,
No spicy hot food or food cooked with onions,
Bathrobes and heating pads and hot meals they bring,
These are a few of my favourite things.

Back pains, confused brains, and no need for sinnin',
Thin bones and fractures and hair that is thinnin',
And we won't mention our short, shrunken frames,
When we remember our favourite things.

When the joints ache, When the hips break,
When the eyes grow dim,
Then I remember the great life I've had,
And then I don't feel so bad.



Monday, April 25, 2016

Child of Our Time, May 11, 2016

A Child of Our Time poster
My people at Portland Symphonic Choir offer this rare work on May 11 at 7:30 at the Arlene Schnitzer Concert Hall  here in Portland Oregon.

As tenor section leader there, I've taken it on myself to made a set of choral learning tracks of movement 29 using Finale PrintMusic program and posted them to SoundCloud with a new account today.

Does it work?  We'll find out.

Love, Gary.





Tuesday, January 5, 2016

Beethoven Ninth Notes, 2015


Again, being a singer in the delightful Oregon Symphony Orchestra concert 2015 year end concert,
 I cannot write a review, but I can relay what Maestro Carlos Kalmar told the Portland Symphonic Choir singers during their one (!) choral rehearsal with him on  Dec 27, 2015

Generally,

"Beethoven is just horrible to voices, even in this masterpiece, he didn't care about the singers, he just wrote it and, eh, they just have to make it happen."

"When your voice breaks - yes, I heard one there (m601) - it's just you are trying to apply too much pressure.  Know yourself, know your limits, and sing always beautifully."

Choral notes by measure.

237 somewhat harsher, then
261 longer, more connected

284-5 strong "JA" from everyone
288 don't rush the "und", lead to
289 sfortsando on "nie"
290-1 all one phrase, no breath here

313 Sopranos are in the drivers seat, don't drag, and Kiss me (with a loud k)
312 make those half notes to quarters and all similar:  No one early.

426 very fine, even a bit more than the first two "freudig"

546 Bass, tenor, alto, help me understand the eighth-note clearly.
549, 553, 557, really give me the sforzando, all the rest will be a little bit less.

595 Make it lighter with more phrasing, um-SCHLUNG-en mil-(crescendo thru)-li-O-nen.

603 Soprano and Alto, lyrical, leading to -SCHLUNG-en,
       Tenor and Bass, detached, make the half notes a quarter note and rest thru 606

606 to 609 we crescendo

616  Basses crescendo as you go down, but in
617 Tenors, that note is yours.  Own  it.
619 Swing into the second note on "brü-der!", go with that till "-zelt" 622

623 crescendo to 626 with less on (milliO)-nen

630 "stürzt", the Ü is between oo and ee, very closed.
        Make very clearly the final t: see my percussionists there?  They should need umbrellas.

635 continue the crescendo.  I want a compact, concentrated sound from the chorus.

650 nobody scoops up to ü-.
651 I want a very clear rhythm.

654 - the fugue -

Everyone has the three themes:

"Freude, schöner" is like dancing in a bierhall, a little lighter.
I want more on "Seid umschlungen":  that has the power, strong  and clearly defined and keep  going thru um- SCHLUNG-en mil-li-O-nen.  they are like the Oregon Ducks football players.
The "Freude" is like the cheerleaders on the sidelines (CK demonstrates a pom-pom gesture with his hands over his head) and I need to hear them.  (CK used the same entertaining gesture in concert, looking at each section as they exclaimed "Freude!")

680 the basses and soprano are having a contest, "diesen küsse", "diessen küsse" then at
693 the altos just take over.

728-9 is the peak of the fugue, everything is going on.  But he's nasty to the sopranos who have to just sit on that high A forever, but might give a little more there, too.

748 open the sound, keep the pace, and no schlepping
753 both T's in -(t)zelt, please.

795 the crescendo keeps going.
801  This and later with fire.   You know how a vortex goes around and around, but it goes down?  This is a vortex that goes up.  I don't know a word for it.
810 forget all about the poco adagio until you are in it, until then it's all energy and speed.
812 This is very good poetry on top of amazing music.  "sanfter" means "tender". Think about that.
       Sopranos, please keep the pitch up.

865 with intensity, stress the beginning of each bar thru here.

915 the T of Tochter is very hard, roaring powerful, molto fortissimo thru
916 "aus" you put the "s" on the eighth note so there is a separation.
        Subito pianissimo for "Elysium"
920 very clear rhythm, do the last "-funken" with me, not insanely fast, just normal fast.
      
So that's what we did.


Saturday, March 7, 2015

Rose of Tralee




The Irish folk ballad "The Rose of Tralee" was likely written by poet C. Mordaunt Spencer and London musician Charles William Glover in 1846, but the Tralee town council endorses that it was composed by one William P. Mulchinock, a young Protestant man who fell madly in love with his parents' Catholic maid, Mary O'Connor. The less-likely second story is far more charming.

The pale moon was rising above the green mountain,  
2014 Rose of Tralee,Philadelphia's Maria Wlash
2014 Rose of Tralee, Philadelphia's Maria Walsh

The sun was declining beneath the blue sea;
When I strayed with my love to the pure crystal fountain,
That stands in the beautiful vale of Tralee.
     She was lovely and fair as the rose of the summer,
     Yet 'twas not her beauty alone that won me;
     Oh no, 'twas the truth in her eyes ever dawning,
     That made me love Mary, the rose of Tralee.

The cool shades of evening, their mantle were spreading
And Mary all smiling sat listening to me;
The moon through the valley, her pale rays were shining
When I won the heart of the rose of Tralee.
     She was lovely and fair as the rose of the summer,
     Yet 'twas not her beauty alone that won me;
     Oh no, 'twas the truth in her eyes ever dawning,
     That made me love Mary, the rose of Tralee.

((The following inferior verse is not in many versions:))

On the far fields of India, mid war's bloody thunder,
Her voice was a solace and comfort to me,
But the cold hand of death has now torn us asunder.
I'm lonely tonight for my rose of Tralee..
     She was lovely and fair as the rose of the summer,
     Yet 'twas not her beauty alone that won me;
     Oh no, 'twas the truth in her eyes ever dawning,
     That made me love Mary, the rose of Tralee.


The inspired-by-the-song "Rose of Tralee" International Festival seeks the world to crown a young Irish (or descendant) lady "lovely and fair as the rose in the summer."  Surrounded by global celebration of Irish culture, the  Festival takes place mid-August in Tralee, County Kerry, Ireland with street entertainment, carnival, live concerts, theater, circus, markets, funfair, fireworks and an internationally renowned Rose Parade. 


We Portlanders are reminded of another Rose Festival.
http://www.rosefestival.org/programs/rose-festival-court








Friday, March 6, 2015

Timberliners performance routine

I've never quite written up the Timberliner's routine for a performance before, but this is a good opportunity, since we have, instead of a regular rehearsal, 2 gigs:

First:  The Pythian home, 3406 Main St, Vancouver Wa

6:00 pm arrive and gather.  Find a warm up room


6:05 Do an easy warm up in four steps.
    +++And if a singer runs late (traffic will be thick), one can do these solo on the way.

    +++ And if I'm running late, any assistant or section leader can run these
1 ~ breathe in, sing and hold long E, F or G  on  "aw" for 15 seconds,  Make it beautiful, easy and loud.  Several times.
2 ~ while you do that, relax jaw, face, shoulders, stretch.
3 ~ Next, slide that beautiful note around low and high, loud and soft.
4 ~ Next, several 9 note scales key of B, C, C#, D, E, F, F#, relaxed and easy and in tune.

~  Get in something close to our standing order, se we can hear each other and 
~  Sing MayMeMyMoMu, balance and blend and tune, keys G, G#, A, A#, B, C, C#, D, D#, E.

6:12  Confirm our EmCee and Pitcher and Conductor.   
6: 13 Get out the song list for this gig and sing the starts thus:

    take a pitch, take the chord,  sing two measures.
If it's good, go on.  If it's not, try again.

During this, run one or two songs that likely need it: 

   (This week, though, we likely have them all well :)
6:25  Look at uniforms, gather stuff, then head to the performance room.
 

6:28 Set up chairs, say hello to folks, get in position.
6:30 We sing, EmCee, Pitcher and Condutor get us thru it.
7:00  We stop and greet this audience real friendly.

Note:  One thing we DO NOT DO is criticize our performance where any audience member can hear, EVER.  If you have to tell somebody about a mistake we made, tell us sometime when no one outside the group can possibly hear us.  On the other hand, ALWAYS COMPLIMENT what is WELL DONE in front of anyone you like. 




7:08  Drive to the next gig:
Second: Kirkland Union Plaza, 1414 Kaufman, Vancouver
 

7:13 Set up chairs, say hello to folks, get in position.
7:15 We sing.
7:45  We stop and greet this audience real friendly.
7:55  Drive to  wherever you like next.



Yours,  Gary